This
temple carved entirely out of white marble was built in 1021 AD by
Vimal Shah, a minister of Raja Bhimdeo. The temple is dedicated to
the 1st Jain Tirthankara (teacher or guide) Adi Nath.
The temple stands in an open courtyard surrounded by a corridor, which
has numerous cells containing smaller idols of the Tiranthakaras.
The richly carved corridors, pillars, arches, and 'mandaps' or
porticoes of the temple are simply amazing. The ceilings feature engraved
designs of lotus-buds, petals, flowers and scenes from Jain and Hindu
mythology.
The
Rang mandap is a grand hall supported by 12 decorated pillars
and nicely carved out arches with a breathtaking central dome. On
the pillars are carved female figurines playing musical instruments
and 16 Vidhyadevis or the goddesses of knowledge each one holding
her own symbol.
The Navchowki
is a collection of nine rectangular ceilings, each one containing
beautiful carvings of different designs supported on ornate pillars.
The Gudh
mandap is a simple hall once you step inside its heavily decorated
doorway. Installed here is the idol of Adi Nath or Lord Rishabdev,
as he is also known. The mandap is meant for 'Arti'
to the deity.
The Hastishala (Elephant Cell) was constructed by Prithvipal,
a descendant of Vimal Shah in 1147-49 A.D and features a row of elephants
in sculpture.
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| Luna
Vasahi (Shri Nemi Nathji temple)
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The
Luna Vashi temple is dedicated to the 22nd Tirthankara Shri
Nemi Nathji. This magnificent temple was built in 1230 AD by two brothers
- Vastupal and Tejpal - both ministers of a local ruler. The temple
built in memory of their late brother Luna was designed after the
Vimal Vashi temple.
The main hall or Rang mandap features a central dome from which
hangs a big ornamental pendent featuring elaborate carving. Arranged
in a circular band are 72 figures of Tirthankaras in sitting posture
and just below this band are 360 small figures of Jain monks in another
circular band.
The Hathishala or elephant cell features 10 beautiful marble
elephants neatly polished and realistically modelled.
The Navchowki features some of the most magnificent and delicate
marble stone cutting work of the temple. Each of the nine ceilings
here seems to exceed the others in beauty and grace.
The Gudh mandap features a black marble idol of the 22nd Jain
Tirthankara Neminath.
The Kirthi Stambha is a big black stone pillar that stands
on the left side of the temple. The pillar was constructed by Maharana
Kumbha of Mewar. |
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remaining three temples of Dilwara are smaller but just as elegant
as the other two. |
Pittalhar
temple
This
temple was build by Bhima Shah, a minister of Sultan Begada
of Ahmedabd. A massive metal statue of Rishab Dev (Adinath),
cast in five metals is installed in the temple. The main metal
used in this statue is 'Pital' (brass), hence the name
'Pittalhar'. The Shrine consists of a main Garbhagraha, Gudh
mandap and Navchowki. |
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Parshavanath
temple
This
temple, dedicated to Lord Parshavnath was built by Mandlik and
his family in 1458-59 A.D. It consists of a three storied building,
the tallest of all the shrines at Dilwara. On all the four faces
of the sanctum on the ground floor are four big mandaps.
The outer walls of the sanctum comprise of beautiful sculptures
in gray sandstone, depicting Dikpals, Vidhyadevis, Yakshinis,
Shalabhanjikas and other decorative sculptures comparable
to the ones in Khajuraho and Konark. |
Mahaveer
Swami temple
This is a small structure constructed in 1582 A.D. and dedicated
to the 24th Jain Tirthankara, Lord Mahaveer. There are
pictures on the upper walls of the porch painted in 1764 A.D.
by the artists of Sirohi. |
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